Silent Utopia (Murals of a tourist)
Galerie Oel-Früh, Hamburg, Germany

Exhibition following an artist residency program in Vladivostok, Russia. During my stay there in 2018, the city of Vladivostok was in the process of removing and demolishing many Soviet-era murals and sculptures. I found myself preoccupied with the question: as a tourist, was I even allowed to find these artworks from another time beautiful — independent of their political reading? Or was that impossible altogether? I made plaster casts and molds of fragments of the sculptures and used them as collage elements in my own work.
(Verena Issel, 2019)
INGREDIENTS:



Silent Utopia (Murals of a tourist) II
2018, various materials, 8 × 3 × 5 m,
(works on the wall) Forgotten Soviet Emperors I-III
2018, polystyrene, acrylic glue, felt, cardboard, textile, plastic,
120 × 80 cm,
Installation view House of Egorn Gallery, Berlin
Forgotten Soviet Emperors I
2018, polystyrene, acrylic glue, felt, cardboard, textile, plastic,
120 × 80 cm,
Installation view House of Egorn Gallery, Berlin
Silent Utopia (Murals of a tourist) II
2018, various materials, 8 × 3 × 5 m,
(work on the wall) Forgotten Soviet Emperors II
2018, polystyrene, acrylic glue, felt, cardboard, textile, plastic, 120 × 80 cm,
Installation view House of Egorn Gallery, Berlin